We’re having a little summer fun here at the press in the form of our very first children’s book — a book written by my own little one, Maxine. She is 13 now, so maybe not technically so little anymore, and certainly not “little” in her opinions.
Well, we did it: We managed to produce an audiobook! It was something I’ve wanted to do for a long time, but the time and expense of it all was always a turnoff. With author-funding, however, it was doable — and that’s how we got ParentShift made into an audiobook.
As I said in my last blog, it’s almost impossible to compete with the ginormous dickhead that is Amazon. But it’s so much better for our authors (and for us) to order straight through our shop that it behooves us to get a little creative —in an attempt to lure you away from the behemoth and gently balance things out.
Now, as personally fulfilling as it’s been — and as proud that I am of the finished product — and as glad I am that my amazing co-authors agreed to publish the book through Brown Paper Press — I would very much like to NEVER DO THIS AGAIN. It’s just too difficult wearing the cap of publisher and author at the same time. I
Peter has been in New York this week workshopping his adaptation of The Inheritance of Shame with a bunch of Broadway actors — and will speak about it at The Center in Chelsea on Tuesday — and, dammit, it’s all just hugely exciting.
Of all the aspects of bringing a a book to life, the cover design is, by far, one of the most fun. We have had the pleasure of working with some wonderful designers here and abroad, but none as well known as Joan Wong, the designer for our latest book.
Conversion therapy survivor Peter Gajdics, the author of our ownInheritance of Shame, has a lot to celebrate these days. In addition to bringing much-needed awareness to efforts to ban conversion therapy for gay youth and adults in his native Canada and beyond, he also has been contracted to adapt his book into a play. How cool is that?
When you publish as few books as we do, every one needs to be fantastic. That’s my philosophy, at least. There have been a lot of “almost-fantastics” that have come our way in the last year — more and more every day, thankfully. But none of them reached out and grabbed me until September—when I received Sandra Miller’s debut, Trove.